• Duration: 4 minutes
    • Soloist(s): Soprano
    • Instrumentation: Piano
    This song takes the first two verses and last two verses from Samuel Crossman's (1624-83) marvellous poem.  There is no reference to the well-known hymn tune; instead the listener is taken through a whole range of emotions as the piano supports the soprano voice with warm, sonorous textures.
    • Duration: 5 minutes
    • Chorus: SATB
    • Instrumentation: Organ
    Commissioned by Wells Cathedral for the Cathedral Choir, Patrick has set the words of 16th century English poet Edmund Spenser which glorifies Christ’s sacrifice for mankind and praises his path of love.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    Upper and lower voices are divided into two distinct choral ‘worlds’ in this setting of William Wordsworth's poem.
  • Out of stock
    • Duration: 8 minutes
    • Soloist: Tenor
    • Chorus: SATB unaccompanied
    Two a cappella psalms written at the turn of the new millennium for tenor Martin Pickering and the Mansfield Choral Society.
    • Duration: 3 minutes
    • Chorus: unaccompanied Alto, Tenor, Baritone, Bass
    Written for The Porteous Brothers, this carol is based on the 15th century text depicting the Nativity with a lullaby sung by the Virgin Mary to the baby Jesus.
    • Duration: 4 minutes
    • Chorus: Divided soprano voices
    • Instrumentation: Piano
    A Christmas Carol with words by Andrew Hawes for divided soprano voices and piano written for Norwich High School for Girls.
  • Out of stock
    Duration: 4 minutes Chorus: SATB unaccompanied A setting of the words from the Chapter 15 of the Book of Exodus.
    • Duration: 3 minutes
    • Chorus: SATB
    • Instrumentation: Piano
    A lilting melody is introduced in the piano against which the independent choral parts call for love to pervade all that we do.
  • Out of stock
    • Duration: 3 minutes
    • Soloist(s): Soprano
    • Instrumentation: Piano OR String quartet, Harp / Piano
    The fourth piece from the collection The Call written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  This piece for soprano and piano is a setting of the W. H. Auden poem.
  • Blending the liturgical text of the Requiem Mass with the story of Lazarus from the New Testament, Patrick has created a work in which the mystery of life and death, the pain of grief and the hope of a risen life are held in taut symmetry.
    • Duration: 5 minutes
    • Chorus: SSAA
    • Instrumentation: Organ
    A bright, festive arrangement of the well-known Dutch carol written for the girls of the Charterhouse Choir. Each verse provides variation and contrast with the intricate, playful organ underpinning the soprano and alto textures.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    This attractive fifteenth-century text has inspired a setting which is reminiscent of medieval tonality and rhythm.  An uplifting Christmas carol.
  • Out of stock
    This unique and exclusive recording, performed by Royal Harpist Claire Jones with the Philharmonia Orchestra, features a brand new four-movement work written for HRH The Prince of Wales inspired by the essence and beauty of his gardens at Highgrove.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Gallipoli, with words from Sydney Bolitho's poem, originally appeared as part of the second movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Gallipoli, with words from Sydney Bolitho's poem, originally appeared as part of the second movement of The Great War Symphony written to commemorate the centenary of the First World War.
  • Virga Jesse | Puer NatusNesciens Mater | Gaudete Omnes
    • Duration: 12 minutes
    • Chorus: unaccompanied SATB
    A setting of four motets with a fresh and dramatic approach to the well-known ancient texts.  Perfect to be sung as a complete set or as individual items within a carol service or other liturgical setting.

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