• Out of stock
    Duration: 4 minutes Orchestration: Piano
    • Duration: 25 minutes
    • Soloist: Piano
    • Instrumentation: Full Orchestra
    "It's very direct, it's very honest, it's very melodic and it's very beautiful."  Peter Jablonski, pianist A three-movement work for piano and orchestra written for Peter Jablonski the concerto is a journey of excitement and - above all - majesty, through the pain of loss and bereavement, through to victory and the fulfilment of hope.
    • Duration: 25 minutes
    • Soloist: Piano
    • Instrumentation: Full Orchestra
    "It's very direct, it's very honest, it's very melodic and it's very beautiful."  Peter Jablonski, pianist A three-movement work for piano and orchestra written for Peter Jablonski the concerto is a journey of excitement and - above all - majesty, through the pain of loss and bereavement, through to victory and the fulfilment of hope.
    • Duration: 2 minutes
    • Chorus: SATB unaccompanied
    Peace Beyond Thought uses simple unison singing through to rich and warm harmonic textures, with restrained dynamics throughout.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    A beautiful setting of words depicting the unifying power of singing together in peace and love.
    • Duration: 4 minutes
    • Soloist(s): Soprano
    • Instrumentation: Piano
    This song takes the first two verses and last two verses from Samuel Crossman's (1624-83) marvellous poem.  There is no reference to the well-known hymn tune; instead the listener is taken through a whole range of emotions as the piano supports the soprano voice with warm, sonorous textures.
    • Duration: 5 minutes
    • Chorus: SATB
    • Instrumentation: Organ
    Commissioned by Wells Cathedral for the Cathedral Choir, Patrick has set the words of 16th century English poet Edmund Spenser which glorifies Christ’s sacrifice for mankind and praises his path of love.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    Upper and lower voices are divided into two distinct choral ‘worlds’ in this setting of William Wordsworth's poem.
  • Out of stock
    • Duration: 8 minutes
    • Soloist: Tenor
    • Chorus: SATB unaccompanied
    Two a cappella psalms written at the turn of the new millennium for tenor Martin Pickering and the Mansfield Choral Society.
    • Duration: 3 minutes
    • Chorus: unaccompanied Alto, Tenor, Baritone, Bass
    Written for The Porteous Brothers, this carol is based on the 15th century text depicting the Nativity with a lullaby sung by the Virgin Mary to the baby Jesus.
    • Duration: 4 minutes
    • Chorus: Divided soprano voices
    • Instrumentation: Piano
    A Christmas Carol with words by Andrew Hawes for divided soprano voices and piano written for Norwich High School for Girls.
  • Out of stock
    Duration: 4 minutes Chorus: SATB unaccompanied A setting of the words from the Chapter 15 of the Book of Exodus.
    • Duration: 3 minutes
    • Chorus: SATB
    • Instrumentation: Piano
    A lilting melody is introduced in the piano against which the independent choral parts call for love to pervade all that we do.
  • Out of stock
    • Duration: 3 minutes
    • Soloist(s): Soprano
    • Instrumentation: Piano OR String quartet, Harp / Piano
    The fourth piece from the collection The Call written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  This piece for soprano and piano is a setting of the W. H. Auden poem.
    • Duration: 5 minutes
    • Chorus: SSAA
    • Instrumentation: Organ
    A bright, festive arrangement of the well-known Dutch carol written for the girls of the Charterhouse Choir. Each verse provides variation and contrast with the intricate, playful organ underpinning the soprano and alto textures.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    This attractive fifteenth-century text has inspired a setting which is reminiscent of medieval tonality and rhythm.  An uplifting Christmas carol.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Gallipoli, with words from Sydney Bolitho's poem, originally appeared as part of the second movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Gallipoli, with words from Sydney Bolitho's poem, originally appeared as part of the second movement of The Great War Symphony written to commemorate the centenary of the First World War.
  • Virga Jesse | Puer NatusNesciens Mater | Gaudete Omnes
    • Duration: 12 minutes
    • Chorus: unaccompanied SATB
    A setting of four motets with a fresh and dramatic approach to the well-known ancient texts.  Perfect to be sung as a complete set or as individual items within a carol service or other liturgical setting.
    • Duration: 4 minutes
    • Instrumentation: woodwind, horns, timpani, percussion, harp, guitar and strings
    This piece which features on Patrick's album Fair Albion uses the orchestra to convey a panoramic pastoral scene.
  • Duration: 4 minutes Soloist(s): Soprano Instrumentation: Piano
    The piano depicts the gentle flowing of the fountain which the poet, Ben Johnson (1572-1637) sees as a mirroring of grief and sorrow.  The solo soprano voice conveys the deeper nuances of the text with broken, 'sighing' phrases and, at points of climax, with more expansive sweeping statements.
    • Duration: 4 minutes
    • Soloist(s): Soprano
    • Instrumentation: Piano OR String quartet, Harp / Piano
    The eighth piece from the song-cycle The Call written in Autumn 1997 in the aftermath of the death of Princess Diana and uses poems which seemed to echo the public’s need for answers to eternal questions.  This piece for soprano and piano is a setting of the beautiful poem by Christina Rossetti describing the sadness and deep pain of the poet for a deceased lover.
  • Out of stock
    Duration: 20 minutes Chorus: SATB Instrumentation: Two pianos Written for the Tynemouth Choral Society, this work depicts the people and two main industries in that area of mining and fishing.
    • Duration: 5 minutes
    • Chorus: SATB
    • Instrumentation: Organ
    A setting of some of the last sentences of the Bible from the Book of Revelation, perfect for Advent.
    • Duration: 3 minutes
    • Chorus: SATB unaccompanied
    The call of Christ to "Come To Me" is represented by gentle vocal phrases and an overall sense of yearning.  There is an atmosphere of weightlessness and calm to reflect the sentiment that Christ’s yoke is easy and his burden is light.
  • Out of stock
    Duration: 4 minutes Soloist(s): Baritone Instrumentation: Strings
    • Duration: 21 minutes
    • Soloist: Clarinet
    • Instrumentation: Strings, Harp
    Patrick Hawes's Clarinet Concerto [is] musically nourishing...a fine work....gorgeous..." GRAMOPHONE (Aug 2016) A three-movement work for clarinet, strings and harp written especially for clarinetist Emma Johnson.  The three contrasting movements are rooted in the English pastoral tradition but with a definite 21st-century gloss.  Melodic, fresh and immediately appealing.
    • Duration: 21 minutes
    • Soloist: Clarinet
    • Instrumentation: Strings, Harp
    Patrick Hawes's Clarinet Concerto [is] musically nourishing...a fine work....gorgeous..." GRAMOPHONE (Aug 2016) A three-movement work for clarinet, strings and harp written especially for clarinetist Emma Johnson.  The three contrasting movements are rooted in the English pastoral tradition but with a definite 21st-century gloss.  Melodic, fresh and immediately appealing.
    • Duration: 3 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Christian Soldiers, based on the well-known hymn tune, originally appeared as part of the first movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 3 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Christian Soldiers, based on the well-known hymn tune, originally appeared as part of the first movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 5 minutes
    • Chorus: SATB
    • Instrumentation: Organ
    A piece full of unbridled majesty and victory through its colourful registrations and insistent rhythmic patterns.  Perfect for Christmas or the great Feast of Christ the King.
    • Duration: 2 minutes
    • Chorus: SATB
    • Instrumentation: Piano OR Organ
    A setting of the well-known phrase from Psalm 46 "Be still, and know that I am God" for choir and piano.
    • Duration: 3 minutes
    • Chorus: unaccompanied SATB
    This setting of the well-known text creates a warm and intimate sound world, written to reflect the prayerful and devotional feast of The Assumption of Our Lady.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Anthem for Doomed Youth, based on the well-known poem by Wilfred Owen, originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.
    • Duration: 4 minutes
    • Chorus: SATB choir
    • Instrumentation: Orchestra or Piano
    Anthem for Doomed Youth, based on the well-known poem by Wilfred Owen, originally appeared as part of the third movement of The Great War Symphony written to commemorate the centenary of the First World War.
  • The only publication containing all of the poetry of priest, poet and librettist Andrew Hawes.
    • Duration: 4 minutes
    • Chorus: SATB
    • Instrumentation: Strings or Military Band
    Written for the HM's Bands of the Household Division and Royal Choral Society to mark the Platinum Jubilee and based on Shakespeare's text from Henry VIII.
    • Duration: 4 minutes
    • Chorus: SATB
    • Instrumentation: Strings or Military Band
    Written for the HM's Bands of the Household Division and Royal Choral Society to mark the Platinum Jubilee and based on Shakespeare's text from Henry VIII.
    • Duration: 75 minutes
    • Chorus: Children's Voices
    • Orchestration: Piano OR Chamber Orchestra (eleven players: Flute, Oboe, Clarinet, Horn, Percussion, Piano, Violin I, Violin II, Viola, Cello, Double Bass)
    A children's opera that reimagines the story of Robin Hood, exploring what happens when Robin is unable to save the day and the forest community must look to itself for solutions.
    • Duration: 75 minutes
    • Chorus: Children's Voices
    • Orchestration: Piano OR Chamber Orchestra (eleven players: Flute, Oboe, Clarinet, Horn, Percussion, Piano, Violin I, Violin II, Viola, Cello, Double Bass)
    A children's opera that reimagines the story of Robin Hood, exploring what happens when Robin is unable to save the day and the forest community must look to itself for solutions.
  • Losing and finding things is something that happens all the time.  It is especially true if you live in a forest.  In A King’s Ransom many things are lost including Robin Hood! A Children's Story Book for 7-11 year olds.
    • Duration: 75 minutes
    • Chorus: Children's Voices
    • Orchestration: Piano OR Chamber Orchestra (eleven players: Flute, Oboe, Clarinet, Horn, Percussion, Piano, Violin I, Violin II, Viola, Cello, Double Bass)
    A children's opera that reimagines the story of Robin Hood, exploring what happens when Robin is unable to save the day and the forest community must look to itself for solutions.

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